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#FFCC00fadetrue
Laurence
October 10, 2011 Posted by Laurence in Laurence, Music

Tags: electronic music, indie duo, music, Phantogram


Phantogram



See larger image

Eyelid Movies (MP3 Music)


New From: $8.99 In Stock
Release date February 9, 2010.

Portishead was on Jimmy Fallon the other night so I headed over to check out the videos of their performances. They have such a distinctive sound to their music - combining haunting vocals, electronic beats, synthesizers, and even dj scratching - I can't think of any band since who's been able to do what...

...and then I thought of Phantogram




Phantogram, an indie electronic-rock music duo out of upstate New York, is 1 part Sarah Barthel (on the keyboards) and 1 part Josh Carter (on the guitar). While Sarah does most of the heavy lifting on vocals, Josh voice has been featured on a few songs and you can sometimes hear him as backup accompaniment. They started out by releasing a few EPs and then in 2009, came out with their first full album: "Eyelid Movies". The album did very well, and they began to get popular outside their home base of Saratoga Springs. Since then, they've been on tour all over North America, Europe and the UK.





Their sound has been described as "lush" and "rich" - words normally attached to food - so why don't we add "delicious" to that list as well...yes,that works: "Their sound is delicious". But their sound is also surprisingly BIG for a duo. BIG, as in White Stripes BIG, as in Sleigh Bells BIG.

But while the other two duos achieve BIG with distortion or amplification (along with a global intensity that pours of the music), Phantogram does it with deft handling of all the sonic textures they put into the mix. The vocals, the synth, the guitar, the sampled loops - it's all arranged so that nothing is drowned out, everything is heard when it's supposed to. The intensity is managed through clever shifts in rhythm and time, their songs have this pleasing "rise and fall" effect that I like. I also like how the songs can explore darkness and sadness without leaving you depressed...there's just the right amount of lightness or "hope" mixed in. The duo even described this themselves as "traveling through a dark tunnel and seeing light at the end", like a state of catharsis... I think that describes it well.


What happens when you strip away all the electronics and effects? You get this:



While on tour during 2010, Sara and Josh wrote all the songs for the next EP, recorded them, and is now back out on tour.The new EP will be entitled "Nightlife" and will be released November 1st this year. In all the interviews I've read, they both seem very happy and excited with what they created; they got to try out new ideas and build upon what they started with the first album. Can't wait to hear what they come up with.





For more infromation

Phantogram on Facebook

Phantogram on Barsuk Records

Preorder the "Nightlife" EP on Itunes

Eli Can't Lose - Day 2Gaming Desktop : Eli - Part 1

ABOUT Laurence

Laurence

I've been in the Interactive Arts for well over 12 years as an Artist, Graphic Designer, Video Editor, Web Developer and Photographer. I'm well versed in many if not all areas where Art, Music and Technology intersect and create new mediums.


  • http://teamheavycream.com/blog-eli/ Eli

    If you had posted this on KiiteKaite.com I would have said the following:

    Sarah’s voice is BEAUTIFUL and honestly is so moving and effective that it’s a shame they don’t do everything acoustically. I didn’t like any of the videos except for the last one because I was able to lose myself in just the simple sound of her voice – and his. The problem with all the electronics is that they take away from the utter magnificence of the human voice. There are so few real singers now and to be able to truly HEAR someones soul that way is rare. Haunting certainly. Delicious and with that distinct ability to pull you into it, wrap you in it, and drag you under it like a wave. That becomes my problem with the music – it makes me feel negatively. Even though the lyrics tend to bend and change, the overall feel of the struggle to breathe makes the music unappealing to me. It pulls me from my mood and puts me in a place I have already climbed out of. Music shouldn’t commiserate with you, it should uplift you. I don’t find the lies of hope, the stings of regret, the pained growth of a flower budding open appealing … Been there, done that, grown and evolved. This kind of music stunts me. I can recognize all the beauty in it. I can appreciate how magnificent this duo is together. But the music saps my strength and I don’t believe music should do that. Something you feed your head and heart with should in turn fill you – not with sludge and someone elses damage – but with light and power. If this is what you listen to in your room all day, it’s no wonder you barely move forward. Her voice is like quicksand and the psychology of the lyrics is “slow progression and struggle”. Don’t you already have enough of that from your own self?

    And Laurence, please don’t ever say to me again that you don’t write well. At your best you easily can match me when it comes to this kind of writing. No more excuses from you ;) This was wonderful, compelling, and drew me in. It made me want to hear it, made me want to consider it, made me want to feel it – and I did.

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FagCats™ © 2011 Elaine Barlow.
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